Thursday, December 9, 2010
Interiors: Bulthaup kitchen party in Santa Monica
Friday, December 3, 2010
Writing: "I had a farm in Africa...." one of the most glorious first lines in literature.
Karen Blixen, aka Isak Dinesen, is my guide & constant inspiration. From the 1956 Paris Review, after she was asked: most of your tales are laid in the last century, aren't they? You never write about modern times.
"I do, if you consider that the time of our grandparents, that just-out-of-reach time, is so much a part of us. We absorb so much without being aware. Also, I write about characters, and they take over. They make the design, I simply permit them their liberty. Now, in modern life and in modern fiction there is a kind of atmosphere and above all an interior movement inside the characters - which is something else again. I feel that in life and in art people have drawn a little apart in this century. Solitude is now the universal theme. But I write about characters within a design, how they act upon one another. Relation with others is important to me, you see, friendship is precious to me, and I have been blessed with heroic friendships. But time in my tales is flexible. I may begin in the eighteenth century and come right up to World War I. Those times have been sorted out, they are clearly visible. Besides, so many novels that we think are contemporary in subject with their date of publication - think of Dickens or Faulkner or Tolstoy or Turgenev, are really set in an earlier period, a generation or so back. The present is always unsettled, no one has had time to contemplate it in tranquility...I was a painter before I was a writer....and a painter never wants the subject right under his nose; he wants to stand back and study a landscape with half-closed eyes."
"I do, if you consider that the time of our grandparents, that just-out-of-reach time, is so much a part of us. We absorb so much without being aware. Also, I write about characters, and they take over. They make the design, I simply permit them their liberty. Now, in modern life and in modern fiction there is a kind of atmosphere and above all an interior movement inside the characters - which is something else again. I feel that in life and in art people have drawn a little apart in this century. Solitude is now the universal theme. But I write about characters within a design, how they act upon one another. Relation with others is important to me, you see, friendship is precious to me, and I have been blessed with heroic friendships. But time in my tales is flexible. I may begin in the eighteenth century and come right up to World War I. Those times have been sorted out, they are clearly visible. Besides, so many novels that we think are contemporary in subject with their date of publication - think of Dickens or Faulkner or Tolstoy or Turgenev, are really set in an earlier period, a generation or so back. The present is always unsettled, no one has had time to contemplate it in tranquility...I was a painter before I was a writer....and a painter never wants the subject right under his nose; he wants to stand back and study a landscape with half-closed eyes."
photo by Peter Beard.
Thursday, December 2, 2010
Edinburgh's Warriston Cresent in snow
Back to Southern California. As we walked out of the airport it began to rain and for LA was cold. The next day the sun was out and swept the basin clean, fresh, clear, the palm trees majestic in the light.
Thursday, July 1, 2010
Poetry: BEFORE THE DAWN poem on L.K. Thayer's Poetry Juice Bar
I was guest poet last week on L.K. Thayer's Poetry Juice bar with my poem BEFORE THE DAWN. This is a poem of love, above all else, simply simply love.
The response has been so positive, and I am furiously mailing poetry to people.
Thank you LA for recognizing the communication of love from husband to wife, mother to child, friend to friend.
Love, Kathleen
Thursday, June 24, 2010
Back in Los Angeles
Sunday, May 30, 2010
Interiors .... Last Sunday in Newport

Thursday, May 6, 2010
Dining: Edinburgh
Ok, we bumped around Edinburgh on Wednesday, had lunch at Martin Wishart in Leith, down by the water, and what a lunch, oh what a lunch, so delcious, so other worldly, it's all so downhill after that. Could be anywhere in the world, and here it is in Edinburgh for us to indulge ourselves. My lunch was celeriac and saffron veloute with confit of organic salmon, (pictured) teamed with 2008 Pouilly Fume, J Pabiot, Loire Valley, France then steamed seabream on a bed of julienne of glazed vegetables, straw potato, warm vinaigrette, along with a 2006 Cotes de Provence, Rimauresq Cru Classe, France. I'm drunk by this time and of course I have to eat dessert, which I usually don't, but here, you must so I choose mango souffle with exotic fruit sorbet.
What do you say to a rainbow? A hurricane? The way the stars shine in the sky? How does one express the delicate nature of the flavors, the professional behavior of the very young adult wait staff? Superb, sublime, heaven.
Tuesday, May 4, 2010
Art class at Kellie Castle with Sheila Mitchell
Tuesday, art day, settles everything down.
As they say in Scotland, lovely.
Monday, May 3, 2010
Sunday, May 2, 2010
kellie easter eggs for sale
What a gorgeous place Scotland is.
Beef dinner tonight.
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