The photography of Michele Mattei
Remember in OUT OF AFRICA, when Karen Blixen sits at table with Denys Finch Hatton and Berkeley Cole, and tells the story of a woman who walked out on a beach so white...
well, here is the flip side,
a black that is so black...
a black that is drawn from a Lee Bontecou hole, a Courbet hole. Velvet black, pitch black, coal black, complete black.
Michele Mattei has transcended black in the background of her flower. It is the black that makes the white so very white, the green so very green, a green that takes me away to a soft shore on that Karen Blixen beach, to a meadow filled with blue bells in an English countryside, to the beauty, beauty, beauty in the corners of my mind.
The flower. The meditation.
Michele's exquisite photographs of flowers, artists, beauty, portraits are not to be missed.
Go to her website and experience her art.
http://michelemattei.net/
Remember in OUT OF AFRICA, when Karen Blixen sits at table with Denys Finch Hatton and Berkeley Cole, and tells the story of a woman who walked out on a beach so white...
well, here is the flip side,
a black that is so black...
a black that is drawn from a Lee Bontecou hole, a Courbet hole. Velvet black, pitch black, coal black, complete black.
Michele Mattei has transcended black in the background of her flower. It is the black that makes the white so very white, the green so very green, a green that takes me away to a soft shore on that Karen Blixen beach, to a meadow filled with blue bells in an English countryside, to the beauty, beauty, beauty in the corners of my mind.
The flower. The meditation.
Michele's exquisite photographs of flowers, artists, beauty, portraits are not to be missed.
Go to her website and experience her art.
http://michelemattei.net/
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